Wild Music: Making the Most of Sound in an Exhibition
August 3rd, 2007 - Posted in 2007, Dimensions by Wendy Pollock
By Wendy Pollock and J. Shipley Newlin
Sound in an exhibition? Most of the time, exhibition planners think of sound as something to be dampened, controlled, or contained. The very term “sound bleed” suggests exhibits battling for attention in an atmosphere of cacophony.
In planning Wild Music: Sounds & Songs of Life, the exhibition team—an unusual partnership among ASTC, the Science Museum of Minnesota (SMM), and the Music Research Institute at the University of North Carolina at Greensboro—decided to approach sound from an alternative perspective. We would treat it as an element to be tuned and composed, as well as an opportunity to enrich the experience for visitors who are blind or have low vision. Funding from the National Science Foundation, Harman International, and NEC Foundation of America ensured that the team was well positioned for this task.


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